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Realistic, credible bad guys create essential story complications, personalize conflict, add immediacy to a story line, and force the protagonist to evolve. Through detailed instruction and examples from contemporary bestsellers and classic page-turners, author Jessica Page Morrell also shows you how to:. Goodreads helps you keep track of books you want to read.

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Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Get to Know Your Character's Sinister Side A truly memorable antagonist is not a one-dimensional super villain bent on world domination for no particular reason. From mischief-makers to villains to arch nemeses, "Bulli Get to Know Your Character's Sinister Side A truly memorable antagonist is not a one-dimensional super villain bent on world domination for no particular reason.

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Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Bullies, Bastards and Bitches , please sign up. Be the first to ask a question about Bullies, Bastards and Bitches. Lists with This Book. Community Reviews. Showing Rating details. More filters. Sort order. Jun 02, Rose rated it really liked it Shelves: favorites , needs-review , non-fiction , quick-read , reference , writing. Initial reaction: A strong guide with apt examples on how to craft "bad guys and girls" in fiction. I was impressed how Morrell organized and presented this.


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Some minor quibbles, but I gained much from reading this and plan to use it as a continued reference. Full review: There's definitely an appeal to writing fictitious narratives from the perspectives of people who may not necessarily be heroic. Or, let's face it - they're the bad guys. It's cool that Morrell was inspired to write this in part because of the compelling antagonists that George R. Martin created in "A Song of Ice and Fire". I feel like people need to read this narrative because it establishes the secret to making a villain appealing in any story is being able to tell that villain or anti-hero's story in a way that has a number of solid foundations.

That's something I see authors struggle with in terms of reading a lot of New Adult books in particular, though it's not the only instance in my reading experiences where such portrayals are problematic.

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View 1 comment. This book was recommended to me by my friend and fellow author T. In this book, author Jessica Page Morrell not only writes about creating the baddies antagonists and villains across genders and species, but about how fear itself works. In order to play on the psychology of fear in a reader, Morrell maintains, authors need to understand the biochemical nature of This book was recommended to me by my friend and fellow author T.

In order to play on the psychology of fear in a reader, Morrell maintains, authors need to understand the biochemical nature of the emotion. There are chapters on writing female baddies, antagonists, out-and-out villains, and anti-heroes, as well as writing baddies for children's and teen-focused literature.

Bullies, Bastards and Bitches Quotes by Jessica Page Morrell

There's a lot to take in from an author's perspective here, but all of it is useful and will doubtless be used as reference material time and again. Jan 23, Bill rated it liked it Shelves: non-fiction , writing. This book did not live up to my expectations. I read several good reviews and hoped that it would give me a solid foundation for creating the bad guys I need in my fiction.

But I found the exploration of badness and evil to be shallow and repetitive. It was not much more than I got out of a few chapters in a more general book about character development. About halfway through the book, I started skimming and scanning the bullet lists. The author did present valid points, I just wish they had gon This book did not live up to my expectations. The author did present valid points, I just wish they had gone deeper.

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One point that did make an impression was the idea that the antagonist does not have to be a person. It can be a force or natural law. Another was a good list of types of antagonist that included several non-obvious character types. Jul 22, Joseph Valoren rated it liked it.

naldcheappilive.cf Bullies, Bastards and Bitches promises to show you how to write better bad guys. A pretty thorough pouring over of the TV Tropes pages on the subjects contained within would render this book basically obsolete; it is less a guide than an index, a collection of archetypes with descriptions and examples attached to each. What I was hoping for when I picked this book up w Bullies, Bastards and Bitches promises to show you how to write better bad guys. What I was hoping for when I picked this book up was an exploration into antisocial behavior, narrative themes of antagonism and villainy, and a real discussion on how these can be meaningfully integrated into a narrative.

This book is not that: it is an extremely surface-level reference text with a generous amount of self-congratulatory back-patting on the part of the author that is, at times, genuinely offensive. Most of the content of this book is repeated again and again and again. Entire chapters of this work could have been summed up in a couple of pages, but instead are spread out to tens of them, mercilessly flogging the material until I, at least, was begging to move on to the next section.

I needed something more. Furthermore, some of the content of this work is simply offensive to read. Morrell devotes an entire chapter to sociopaths. If she were content to constrain her observations to the body of fictional work featuring sociopathic characters, that might have been fine.

Unfortunately, she makes a variety of sweeping, ill-informed statements about actual people grappling with antisocial personality disorder, mischaracterizing them as intrinsically dangerous by virtue of their condition. She quite literally warns the reader against interacting with these people, painting them to the last as immoral killing machines who dispose of a human life as readily as they would discard a potted plant.

This is false, and harmful to people who struggle with this condition. This chapter, too, smacks of desperate padding, since it serves to do little more than provide examples of villainous women. This subject especially would have benefited from a more robust academic understanding of feminism and intersectionality, because some fascinating work can be done concerning the use of woman as antagonist, and this book does none of it.